My pedagogy aims to impart to my students the analytical skills vital to interpret cultural objects, from history plays to experimental performance, while motivating them to make their own critical interventions based on their particular coordinates in the world.
University of Maryland, College Park
Graduate Seminars
“Asian American Theatre and Performance,” Spring 2027
“Performance Studies,” Fall 2026
Undergraduate Major Courses
“Theatre History II” Spring 2026
“Theatre History I,” Fall 2025
General Education Courses
“Broadway Mashup: Remixing America through Musical Theatre,” Spring & Fall 2026
“The Art of Communication and Presentation,” Fall 2025
Brown University
Theatre Arts & Performance Studies
“Uneasy Embodiments: Racial and Gendered Objecthood,” Spring 2025
“Introduction to Theatre, Dance, and Performance Studies,” Spring 2022
“Persuasive Communication,” Fall 2020- Fall 2021
“Theatre History and Performance Historiography,” Spring 2020 (TA)
“Global Theatre and Performance: Paleolithic to the Threshold of Modernity,” Fall 2019 (TA)
Brown Arts Institute
“Body as Medium: Queer Lineages of Duration, Resonance, and Excess,” Fall 2024 (TA for Visiting Professor of the Practice Julie Tolentino)
Pembroke Center for Teaching and Research on Women
“Introduction to Gender and Sexuality Studies” (TA)